Bertoia Ottoman

Description

Designed to accompany the Bird Chair but able to fly solo, this ottoman shares the same attention to detail and craftsmanship as its companion. Part of Harry Bertoia’s exceptionally artistic 1952 seating collection sculpted from bent metal rods, the Bertoia high-back chair enhances virtually any environment. The Bertoia high-back chair and its ottoman are available fully upholstered only. The Knoll logo is stamped into the chair’s base and the ottoman.

Characteristic of the early environment at Knoll, Hans and Florence never demanded that Bertoia design furniture but instead encouraged him to explore whatever he liked. They asked that if he arrived at something interesting, he would show them. Bertoia later explained the process:

“I went around and discovered, quite soon, that I was not the man to do research. My feeling was that it had to come from an inward direction. I began to rely once more on my own body. I began to think about what I would like as a chair. It started very slowly…I came into rod or wire, whether bent or straight. I seemed to find myself at home. It was logical to attempt to utilise the wire.

“Once more, I went through the positioning procedure, considering the possibility of shapes, then relating what the wire itself could be, what shapes it might take, and whether there were any tools to do it with. Many aspects of the same things come into one’s mind, but the first thing is whether a shape would come up that would begin to serve as a chair, sitting on it, etc. One was taking the shape of a side chair; another was beginning to extend to care of the head. This developed to the point where something could be held on to…When you have something in front of you that can physically be held, it becomes easier to make changes.”

ABOUT KNOLL – A Legacy of Modern Design

Knoll embodies a belief in the power of modern design—a philosophy that has guided the brand for over 80 years. Rooted in the Bauhaus design principle that modern furniture should complement architectural space rather than compete, Knoll has consistently upheld this ideal, creating environments where form and function coexist harmoniously.

Founded by Hans and Florence Knoll, the company draws inspiration from the innovative spirit of the Bauhaus School and the Cranbrook Academy of Art. Their vision of a new kind of furniture and workplace design, where craftsmanship and technology blend seamlessly, continues to shape Knoll’s values and informs every piece produced today.

For more than eight decades, Knoll has collaborated with pioneering modernists and bold contemporary designers, pushing the boundaries of design. Partnerships, from Florence Knoll’s timeless works to the innovative creations of Antenna Design, Don Chadwick, and David Adjaye, have defined the brand’s legacy and will continue to shape its future.

Knoll is more than just furniture; it is about creating connections—between people and their work, their lives, and their world. Recognised globally since 1938, Knoll’s workplace and residential furnishings are designed to inspire, adapt, and endure. The company’s commitment to modern design, deep understanding of the evolving workplace, and dedication to sustainability have culminated in a unique portfolio of products that respond to the changing needs of its customers.

This is Knoll’s story—a story of design that not only stands the test of time but also continues to lead the way forward.